Section 23

“‘Never heard an entomologist go on like this,’ I ob- served, cheerfully. ‘Masterpiece! And what of man?’
“‘Man is amazing, but he is not a masterpiece,’ he said, keeping his eyes fixed on the glass case. ‘Perhaps the artist was a little mad. Eh? What do you think? Sometimes it seems to me that man is come where he is not wanted, where there is no place for him; for if not, why should he want all the place? Why should he run about here and there making a great noise about him- self, talking about the stars, disturbing the blades of grass? . . .’
“ ‘ Catching butterflies,’ I chimed in.
“He smiled, threw himself back in his chair, and stretched his legs. ‘Sit down,’ he said. ‘I captured this rare specimen myself one very fine morning. And I had a very big emotion. You don’t know what it is for a collector to capture such a rare specimen. You can’t know.’
“I smiled at my ease in a rocking-chair. His eyes seemed to look far beyond the wall at which they stared ; and he narrated how, one night, a messenger arrived from his ‘poor Mohammed,’ requiring his presence at the ‘residenz’ — as he called it — which was distant some nine or ten miles by a bridle-path over a cultivated plain, with patches of forest here and there. Early in the morning he started from his fortified house, after embracing his little Emma, and leaving the ‘princess,’ his wife, in command. He described how she came with
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him as far as the gate, walking with one hand on the neck of his horse; she had on a white jacket, gold pins in her hair, and a brown leather belt over her left shoulder with a revolver in it. ‘She talked as women will talk,’ he said, ‘telling me to be careful, and to try to get back before dark, and what a great wickedness it was for me to go alone. We were at war, and the country was not safe; my men were putting up bullet- proof shutters to the house and loading their rifles, and she begged me to have no fear for her. She could de- fend the house against anybody till I returned. And I laughed with pleasure a little. I liked to see her so brave and young and strong. I, too, was young then. At the gate she caught hold of my hand and gave it one squeeze and fell back. I made my horse stand still out- side till I heard the bars of the gate put up behind me. There was a great enemy of mine, a great noble — and a great rascal, too — roaming with a band in the neighbour- hood. I cantered for four or five miles; there had been rain in the night, but the mists had gone up, up — and the face of the earth was clean; it lay smiling to me, so fresh and innocent — like a little child. Suddenly some- body fires a volley — twenty shots at least it seemed to me. I hear bullets sing in my ear, and my hat jumps to the back of my head. It was a little intrigue, you understand. They got my poor Mohammed to send for me and then laid that ambush. I see it all in a minute, and I think - This wants a little management. My pony snort, jump, and stand, and I fall slowly for- ward with my head on his mane. He begins to walk, and with one eye I could see over his neck a faint cloud of smoke hanging in front of a clump of bamboos to my
left. I think Aha! my friends, why you not
wait long enough before you shoot? This is not yet gelungen. Oh, no! I get hold of my revolver with my
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right hand — quiet — quiet. After all, there were only seven of these rascals. They get up from the grass and start running with their sarongs tucked up, waving spears above their heads, and yelling to each other to look out and catch the horse, because I was dead. I let them come as close as the door here, and then bang, bang, bang — take aim each time, too. One more shot I fire at a man’s back, but I miss. Too far already. And then I sit alone on my horse with the clean earth smiling at me, and there are the bodies of three men lying on the ground. One was curled up like a dog, another on his back had an arm over his eyes as if to keep off the sun, and the third man he draws up his leg very slowly and makes it with one kick straight again. I watch him very carefully from my horse, but there is no more — bleibt ganz ruhig — keep still, so. And as I looked at his face for some sign of life I observed something like a faint shadow pass over his forehead. It was the shadow of this butterfly. Look at the form of the wing. This species fly high with a strong flight. I raised my eyes
and I saw him fluttering away. I think Can it
be possible? And then I lost him. I dismounted and went on very slow, leading my horse and holding my revolver with one hand and my eyes darting up and down and right and left, everywhere! At last I saw him sitting on a small heap of dirt ten feet away. At once my heart began to beat quick. I let go my horse, keep my revolver in one hand, and with the other snatch my soft felt hat off my head. One step. Steady. Another step. Flop ! I got him ! When I got up I shook like a leaf with excitenent, and when I opened these beautiful wings and made sure what a rare and so extraordinary perfect specimen I had, my head w^ent round and my legs became so weak with emotion that I had to sit on the ground. I had greatly desired to possess myself
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of a specimen of that species when collecting for the professor. I took long journeys and underwent great privations; I had dreamed of him in my sleep, and here suddenly I had him in my fingers — for myself ! In the words of the poet’ (he pronounced it 4 boet’) —
‘ “So halt’ ich’s endlich denn in meinen Handen,
Und nenn’ es in gewissem Sinne mein.”’
He gave to the last word the emphasis of a suddenly lowered voice, and withdrew his eyes slowly from my face. He began to charge a long-stemmed pipe busily and in silence, then, pausing with his thumb on the orifice of the bowl, looked again at me significantly.
44 ‘Yes, my good friend. On that day I had nothing to desire; I had greatly annoyed my principal enemy; I was young, strong; I had friendship; I had the love’ (he said ‘lof’) 4 of woman, a child I had, to make my heart very full — and even what I had once dreamed in my sleep had come into my hand, too ! ’
“He struck a match, which flared violently. His thoughtful placid face twitched once.
“‘Friend, wife, child/ he said, slowly, gazing at the small flame — ‘phoo!’ The match was blown out. He sighed and turned again to the glass case. The frail and beautiful wings quivered faintly, as if his breath had for an instant called back to life that gorgeous object of his dreams.
“‘The work/ he began, suddenly, pointing to the scattered slips, and in his usual gentle and cheery tone, ‘is making great progress. I have been this rare speci- men describing. . . . Na! And what is your good
news?’
“‘To tell you the truth, Stein/ I said with an effort that surprised me, ‘I came here to describe a speci- men.
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“‘Butterfly?’ he asked, with an unbelieving and humorous eagerness.
“‘Nothing so perfect,’ I answered, feeling suddenly dispirited with all sorts of doubts. ‘A man!’
“‘ Ack so?’ he murmured, and his smiling counte- nance, turned to me, became grave. Then after look- ing at me for a while he said slowly, ‘Well — I am a man, too.’
“Here you have him as he was; he knew how to be so generously encouraging as to make a scrupulous man hesitate on the brink of confidence; but if I did hesitate it was not for long.
“He heard me out, sitting with crossed legs. Some- times his head would disappear completely in a great eruption of smoke, and a sympathetic growl would come out from the cloud. When I finished he uncrossecr his legs, laid down his pipe, leaned forward towards me earnestly with his elbows on the arms of his chair, the tips of his fingers together.
“‘I understand very well. He is romantic.’
“He had diagnosed the case for me, and at first I was quite startled to find how simple it was; and indeed our conference resembled so much a medical consulta- tion— Stein, of learned aspect, sitting in an arm-chair before his desk; I, anxious, in another, facing him, but a little to one side — that it seemed natural to ask —
“‘What’s good for it?’
“He lifted up a long forefinger.
“ ‘There is only one remedy ! One thing alone can us from being ourselves cure ! ’ The finger came down on the desk with a smart rap. The case which he had made to look so simple before became if possible still simpler — and altogether hopeless. There was a pause. ‘Yes,’ said I, ‘strictly speaking, the question is not how to get cured, but how to live.’
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“He approved with his head, a little sadly as it seemed. ‘ Ja ! ja! In general, adapting the words of your great poet: That is the question. . . .’ He
went on nodding sympathetically. . . . ‘How to
be! Ach! How to be.’
“He stood up with the tips of his fingers resting on the desk.
“‘We want in so many different ways to be,’ he began again. ‘This magnificent butterfly finds a little heap of dirt and sits still on it; but man he will never on his heap of mud keep still. He want to be so, and again he want to be so. . . .’ He moved his hand up,
then down. . . . ‘He wants to be a saint, and he
wants to be a devil — and every time he shuts his eyes he sees himself as a very fine fellow — so fine as he can never be. ... In a dream. . . .’
“He lowered the glass lid, the automatic lock clicked sharply, and taking up the case in both hands he bore it religiously away to its place, passing out of the bright circle of the lamp into the ring of fainter light — into shapeless dusk at last. It had an odd effect — as if these few steps had carried him out of this concrete and perplexed world. His tall form, as though robbed of its substance, hovered noiselessly over invisible things with stooping and indefinite movements; his voice, heard in that remoteness where he could be glimpsed mysteri- ously busy with immaterial cares, was no longer incisive, seemed to roll voluminous and grave — mellowed by distance.
“‘And because you not always can keep your eyes shut there comes the real trouble— the heart pain — the world pain. I tell you, my friend, it is not good for you to find you cannot make your dream come true, for the reason that you not strong enough are, or not clever enough. Ja! . . . And all the time you are such
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a fine fellow, too! Wie? Was? Gott in Himmel! How can that be? Ha! ha! ha!5
“The shadow prowling amongst the graves of butter- flies laughed boisterously.
“‘Yes! Very funny this terrible thing is. A man that is born falls into a dream like a man who falls into the sea. If he tries to climb out into the air as in- experienced people endeavour to do, he drowns — nicht wahr? . . . No! I tell you! The way is to the
destructive element submit yourself, and with the exertions of your hands and feet in the water make the deep, deep sea keep you up. So if you ask me — how to be?’
“His voice leaped up extraordinarily strong, as though away there in the dusk he had been inspired by some whisper of knowledge. ‘I will tell you! For that, too, there is only one way.’
“With a hasty swish swish of his slippers he loomed up in the ring of faint light, and suddenly appeared in the bright circle of the lamp. His extended hand aimed at my breast like a pistol; his deep-set eyes seemed to pierce through me, but his twitching lips uttered no word, and the austere exaltation of a certitude seen in the dusk vanished from his face. The hand that had been pointing at my breast fell, and by-and-by, coming a step nearer, he laid it gently on my shoulder. There were things, he said mournfully, that perhaps could never be told, only he had lived so much alone that sometimes he forgot — he forgot. The light had de- stroyed the assurance which had inspired him in the distant shadows. He sat down and, with both elbows on the desk, rubbed his forehead. ‘And yet it is true — j it is true. In the destructive element immerse/ . . . He spoke in a subdued tone, without looking at me, one hand on each side of his face. ‘That was the way. To
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follow the dream, and again to follow the dream — and so — ewig — usque ad finem. . . The whisper of
his conviction seemed to open before me a vast and uncertain expanse, as of a crepuscular horizon on a plain at dawn — or was it, perchance, at the coming of the night? One had not the courage to decide; but it was a charming and deceptive light, throwing the impalpable poesy of its dimness over pitfalls — over graves. His life had begun in sacrifice, in enthusiasm for generous ideas ; he had travelled very far, on various ways, on strange paths, and whatever he followed it had been without faltering, and therefore without shame and without regret. In so far he was right. That was the way, no doubt. Yet for all that the great plain on which men wander amongst graves and pit- falls remained very desolate under the impalpable poesy of its crepuscular light, overshadowed in the centre, circled with a bright edge as if surrounded by an abyss full of flames. When at last I broke the silence it was to express the opinion that no one could be more ro- mantic than himself.
“He shook his head slowly, and afterwards looked at me with a patient and inquiring glance. It was a shame, he said. There we were sitting and talking like two boys, instead of putting our heads together to find something practical — a practical remedy — for the evil — for the great evil — he repeated, with a humorous and indulgent smile. For all that, our talk did not grow more practical. We avoided pronouncing Jim’s name as though we had tried to keep flesh and blood out of our discussion, or he were nothing but an erring spirit, a suffering and nameless shade. ‘Na!’ said Stein, rising. 4 To-night you sleep here, and in the morning we shall do something practical— practical. . . .’ He lit a two-
branched candlestick and led the way. We passed
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through empty dark rooms, escorted by gleams from the lights Stein carried. They glided along the waxed floors, sweeping here and there over the polished surface of the table, leaped upon a fragmentary curve of a piece of furniture, or flashed perpendicularly in and out of distant mirrors, while the forms of two men and the flicker of two flames could be seen for a moment stealing silently across the depths of a crystalline void. He walked slowly a pace in advance with stooping courtesy ; there was a profound, as it were a listening, quietude on his face; the long flaxen locks mixed with white threads were scattered thinly upon his slightly bowed neck.
“‘He is romantic — romantic,’ he repeated. ‘And that is very bad — very bad. . . . Very good, too,’
he added. ‘But is he?9 I queried.
“‘ Gewiss ,’ he said, and stood still holding up the candelabrum, but without looking at me. ‘Evident! What is it that by inward pain makes him know him- self? What is it that for you and me makes him — exist? ’
“At that moment it was difficult to believe in Jim’s existence — starting from a country parsonage, blurred by crowds of men as by clouds of dust, silenced by the clashing claims of life and death in a material world — but his imperishable reality came to me with a con- vincing, with an irresistible force! I saw it vividly, as though in our progress through the lofty silent rooms amongst fleeting gleams of light and the sudden revela- tions of human figures stealing with flickering flames within unfathomable and pellucid depths, we had approached nearer to absolute Truth, which, like Beauty itself, floats elusive, obscure, half submerged, in the silent still waters of mystery. ‘Perhaps he is,’ I admitted with a slight laugh, whose unexpectedly loud reverberation made me lower my voice directly; ‘but I am sure you are.’ With his head dropping on his